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First tagged "germany" by R. Shockley "ShockleyBooks"
Get More Details tags: nationalism, desperation, antiwar, germany, foreign movies, humanity, prisoner of war, french films, 1930s, survival, aristocracy, anti-war
Product Description
d="productDetails">Product Details
- Amazon Sales Rank: #350326 in VHS
- Released on: 1997-12-01
- Rating: Unrated
- Number of discs: 1
- Formats: Black & White, Subtitled, NTSC
- Original language: English, French, German, Russian
- Running time: 75 minutes
Editorial Reviews
Amazon.com essential video
It's prolonged been one of a worshiped classics of general cinema, though there is no excellent covering of dirt over La Grande Illusion. Jean Renoir's film is only as vibrant, exciting, and correct as it has ever been. The story is set during World War I, mostly in a integrate of German POW camps, where dual really opposite French prisoners tract to escape: a working-class officer Maréchal (Jean Gabin, a French Spencer Tracy) and a upper-class de Boieldieu (Pierre Fresnay). The suspenseful fortitude of a story is shaped by these shun attempts, though Renoir is essentially endangered with a approach people provide any other, and generally with how category and nationality surprise tellurian relations. Most constrained of all a film's characters is a elegant German officer von Rauffenstein, unforgettably incarnated by stiff-backed Erich von Stroheim; nonetheless he runs a jail camp, von Rauffenstein can't assistance though strike adult a loyalty with de Boieldieu, a consanguine suggestion from a cursed nobility. There is zero dewy or genuine about Renoir's prophesy (and dual years after a recover of this antiwar film, Europe was plunged into another universe war), nonetheless Grand Illusion is one of those cinema that creates we feel good about such long-outmoded ideas as scapegoat and brotherhood. After it won a esteem during a Venice Film Festival in 1937, a Nazis announced a film "Cinematographic Enemy Number One." There can be no aloft praise. --Robert Horton
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Customer Reviews
Most useful patron reviews
95 of 98 people found a following hearing helpful.
By Michael Lellouche
Grand Illusion is infrequently deliberate as one of a biggest cinema ever shot. It was Orson Welles' favorite. Even nonetheless many cruise that "Rules of a Game" is some-more critical and brillant. The dual cinema are unequivocally different, both incredible. Grand Illusion is easier to locate immediatly while Rules let we consider endlessly. In courtesy of a DVD : BUY IT EYES CLOSED ! The design is incredible, looks like it was shot yesterday since entrance from a strange re-found disastrous film. It has not even one tiny mark or crack. It is PURE. And it is a strange 114 mins version, not a obvious 105 minutes. The DVD is full of bonus, a best being a filmed introduction by Jean Renoir, and also a audio repository of Von Stroheim. we can't demonstrate how most we adore Renoir and this film and we wish that Rules of a Game will come adult in DVD shortly in Zone 1 (it exists in France in Zone 2 with a pleasing master, though has no english subtitles). Then a universe can anticipate this masterpiece again and again. Buy Grand Illusion and you'll never consider of fight and amiability a same approach again.
112 of 119 people found a following hearing helpful.
By K. Garner
The Criterion Collection has been batting 1.000 newly by bringing out superb DVD versions of such classical films as "The Wages of Fear","The Passion of Joan of Arc" and "The Third Man". Now, with "Grand Illusion", they competence have even surpassed themselves.
The send is from an strange camera disastrous suspicion to be mislaid for decades and it can't be rivalled for picture clarity or sound peculiarity (given that this is a 62-year aged film). The DVD chronicle of "Grand Illusion" looks as tighten as we can wish to a strange state.
The film itself is a touching hearing of a dispute between category and inhabitant temperament during World War I. Three French officers - an nobleman (Pierre Fresnay), a abounding Jewish landowner (Marcel Dalio), and a working-class capitian (Jean Gabin) - are prisoner and detained by a refined, conceited German officer (von Stroheim). The French and German aristocrats share a deeper informative and affetionate bond than they do with a group of their particular countries. When a French captives devise an escape, a elegant officer risks himself for a nationalism he doesn't trust in. The scenes between Fresnay and von Stroheim, arguably some of a tenderest scenes in a movie, arrangement a protocol of aristocrat abet that seems absurd currently (the people in a cinema where we saw it laughed during these men's proposal missives to any other). And, indeed, these elegant manners are plainly absurd in a museum of complicated warfare. Pauline Kael has pronounced that this film is "an groan for a failing class" and that's partially loyal - it's also an hearing of how gossamer a holds of nationalism can be both within countries (as family between a working-class Gabin and Dalio after prove) and between them (when a German ensure hands Gabin a harmonica). And yet, a behaving and essay are grounded so most impression and fact that we can be unequivocally changed by this film though seeing these underlying thesis (the assembly that laughed during a aforementioned scenes, gave a film a station acclaim during a end).
"Grand Illusion" has been enormously influental - we can see traces of it in "Casablanca" (with Dalio, interestingly enough) and "Paths of Glory", for example. Renoir's instruction is splendidly liquid - even his teenager characters have singular features. Along with "Passion" and "The Third Man", a Criterion chronicle of "Grand Illusion" is one of a excellent DVD releases of a year. Let's wish that they now do a same for "The Rules of a Game"
29 of 32 people found a following hearing helpful.
By Toshifumi Fujiwara
One of a biggest feat in film history, this Jean Renoir's masterpiece could be seen usually in prints and video done from an defective transcribe neagtive for over 40 years, as a strange film elements was suspicion to be mislaid during a German function (Goebbels and Hitler hated a film, and criminialized it in Germany during a strange release). If we have seen usually these versions, we haven't unequivocally seen it yet! The new transfer, done from a newly-discovered strange camera disastrous (i.e., a best film component available) is usually stunning. For a viewers familliar with a film, there is an combined warn during a begining, for a credit pretension method is different. The frail trasnfer concede viewers to conclude a abyss of Renoir's dictatorial direction, for we can see a lot of sum that competence be mislaid in defective prints: for Renoir, it is not usually a protagonists that are important, though a whole atmosphere that surrounds them, including a tasty opening from a ancillary expel (the Jean Renoir Stock Company, such as Julien Carrette, Gaston Modot and Jean Daste) that creates this film some-more than usually an anti-war film. The DVD also includes a trailer from a 1958 re-release, featuring Jean Renoir himself sexually revelation what this film is all about: "it is a story of people like we and me, held in a tragedy called war". Grand Illusion is a story of survival, of people who wish to live in their best approach possible, within their humain limitation. Limitation, for a people can act usually within their amicable category poise and their amicable role. But Renoir never condems or impugn them; a film embraces even a flaws in their perosnalities. It's a good film, and a must-have DVD.
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